“He, (Ned), told me he was disgusted with the way Ocean Catch was fishing,” Thomasina says. “He didn’t say why but I figured they must have been exceeding quotas or trawling illegally. You know, breaking some sort of sustainable fisheries things. But I was surprised, because he never cared about this stuff before. ‘Let the environmentalists worry about the environment,’ he used to say.”

Book Review:

Review by Jana L. Perskie  (MAY 11, 2014)

North of Boston is Elisabeth Elo’s debut novel, and to me it is a real winner. It certainly held my interest and I found that, at times, I was unable to put this books down.

Pirio Kasparov, heir to a very successful perfume business which her Russian immigrant parents founded, is our protagonist. sponsored: Royal Vegas Casino – when you make three initial deposits, you receive up to 1200 Canadian dollars for each coupled with 30 free spins. She is a gritty, smart and complex woman. When Pirio’s mother died, the girl was just 10 years old. Her deceased mother’s will stipulates that when Pirio turns 21 years old, she will inherit her mother’s share of the extremely successful business, Inessa Mark, Inc. and that if she wants full ownership, the company would revert to her upon her eccentric father’s death. Pirio has joined the company where she works as “CEO in training.” Scent permeates much of the novel – the scent of perfume, ambergris, herbs, flowers, etc. And the smells of the sea also play an important part in the author’s descriptive passages.

Pirio’s fisherman friend, Ned Rizzo, has recently acquired a lobster boat, the Molly Jones. He bought it for $1.00. Ned had been a star employee at the Ocean Catch Company in Boston, (where much of this tale is set), and then, out of nowhere, he quits. His parting gift, a sort of severance pay, is the brand new lobster boat, a far cry from the usual gold watch. But why would someone, or some corporation, just give away an expensive boat? And why did Ned, after working 20 years on corporate factory trawlers and long liners, switch to catching lobsters? Is it because his new boat is precisely for that purpose, or is the reason more complex?

Ned finds himself short of crew one foggy day and recruits the totally inexperienced Pirio to stand in for the usual experienced fishermen. Pirio, wanting to help a friend, expresses her doubts about working as a pure novice. Ned teaches her to bait traps before they leave the harbor. He also tells her that he will teach her the ropes as the day progressed,  essentially on-the-job training. When a freighter collides with the Molly Jones, the ship sinks quickly, taking Ned with it. The huge freighter moves off, never bothering to search for possible survivors – an oceanic hit-and-run!

Pirio jumps free of the submerging ship and is thrust into the icy cold waters off the Boston coast. She manages to survive for 4 hours in 42 – 48 degree Fahrenheit water, a heretofore feat rarely heard of. Pirio seems to possess a physiological quirk that makes her almost immune to hypothermia. So Pirio can now be entered into Ripley’s Believe It Or Not!  Her miraculous survival causes the Navy Diving Experimental Unit to request that she stop by for testing. They fly her to Florida, their home base, for just that purpose. “We have no idea how that happened, a Navy doctor tells her. “We’ve never seen that in a human before. She becomes sort of a local heroine, called “The Swimmer.”

Pirio is, if nothing else, tenacious. Her instincts tell her that the collision was no accident. Ms. Kasparov simply wants answers: who rammed their boat and why? But the coast guard seems to consider it an unfortunate accident and not a high priority. When she starts asking questions on her own, it’s clear someone is very unhappy with her involvement. After exhausting her inquiries in Boston, she persists in her quest for the mysterious freighter and soon is hot on the trail of a wide-ranging mystery that ultimately takes her far north of Boston, to the whaling grounds of Canada’s Baffin Island.

Pirio meets a mysterious man at Ned’s memorial service who now seems as eager as she to find the truth surrounding the accident…if it was an accident. This man becomes an important figure in the narratve.

To complicate matters further, Pirio spends much of her time consumed with helping her old school friend Thomasina, an alcoholic and gadabout, with her young son, Noah. Noah also happens to be Ned’s son, and Pirio has a strong connection with him as his godmother.

North of Boston, Elisabeth Elo’s novel, is a winner. It is so much more than a mystery. The characters are well fleshed out, the mystery and ominous ambiance are thrilling at times, the storyline is a strong one, the Arctic setting is fascinating, and the supporting cast of characters is interesting.

I highly recommend North of Boston and look forward to reading the author’s future work.

AMAZON READER RATING:	from 61 readers
PUBLISHER:	Pamela Dorman Books; First Edition edition (January 23, 2014)
REVIEWER:	Jana L. Perskie
AVAILABLE AS A KINDLE BOOK?	YES! Start Reading Now!
AUTHOR WEBSITE:	Elisabeth Elo
EXTRAS:	Reading Guide and Excerpt
MORE ON MOSTLYFICTION:	More Boston: Moonlight Mile by Dennis Lehane

Bibliography:

• North of Boston (January 2014)

“There’s a lot of heartache in these mountains, that’s what my grandma Alice always says.”

Book Review:

Review by Jana L. Perskie (MAR 12, 2014)

The setting for Redemption Mountain is located in Red Bone, West Virginia, in the Appalachian region of the Southern United States. Ranked by median income, it is the poorest state in the union except for Mississippi. The major resource in West Virginia’s economy is coal and the state is a top coal-producer in this country, second only to Wyoming.

From the beginning, in 1863, the state of West Virginia mined coal. While it has been blessed with a vast assortment of natural resources, coal is found in 53 of 55 counties, it is a mixed blessing. The downside of this blessing is about the the environment, the land, the people who mine it, and the unfortunate miners’ families who watch their loved ones leave for work never to see them again.

Why the statistics? This novel’s storyline, is based on the poverty of West Virginia miners and state residents as related to coal mining. West Virginia has been treated like a colony by big business. Mining disasters have rocked the state many times over. The controversial practice of Mountain Top Removal or Strip Mining plagues West Virginia, ripping off the tops of mountains to uncover the buried coal seams, leaving behind worthless acres of land. Advocates of mountaintop removal point out that once the areas are reclaimed, the technique provides premium flat land suitable for many uses in an extremely mountainous region. They also maintain that the new growth on reclaimed mountaintop mined areas is better able to support populations of game animals. And, of course, mining coal provides jobs. On the other hand, critics contend that mountaintop removal is a disastrous practice that benefits a small number of corporations at the expense of local communities and the environment.

Natty Oakes, a woman in her late twenties, lives in Redbone, McDowell County, West Virginia. Her grandfather, her mother and her uncle live on their farm at the top of Oak’s Hollow on “Redemption Mountain.” Natty is the mother of two children, 12-year-old Boyd, “The Pie Man,” who was born with Down Syndrome, and his younger sister Cat. Natty is married to Buck Oakes, a former high school football hero who got her pregnant in their senior year, a pregnancy which resulted in marriage and the birth of “The Pie Man.” Buck, perpetually unemployed for lack of jobs, is an angry, abusive man who takes out his failures in life on those around him, especially his wife, who works, (sometimes for no fee), as a home health aide to retired miners. She also runs the children’s library and coaches the local soccer team.

Charlie Burden, an attractive man in his late 40’s, is a partner in a New York City engineering firm, Dietrich Delahunt & Mackey, that has designed and is supervising the construction of a gigantic state-of-the art, clean coal-burning electricity generating plant in McDowell County, West Virginia. Charlie lives in a posh Westchester community, (think Bill & Hillary Clinton), with his wife Ellen, who spends much of her time involved in the activities of their country club. The couple have a son, a successful stockbroker, and a daughter who is attending university. The marriage is strained, primarily because Charlie and Ellen have developed different values over the years. She wants to move into a larger, 5 bedroom, pricier property even though the children are gone from home. Charlie is tired of his work with the firm. He resigns from the country club, it no longer suits him to spend time there. He longs to return to the field and do some hands-on engineering. “Why does my job get more and more boring and my career feel so unfulfilling as I get wealthier and more successful?” When the opportunity presents itself, Charlie grabs it…although it is not the job in China, supervising a huge construction project, that he wants. He thinks that if he takes on the generating plant project in West Virginia and is successful, he will eventually be assigned to China where Ellen has refused to go, nor does she plan to visit him in West Virginia.

Burden is uncomfortable after spending a night in the sterile company-owned condo in Bluefield, WV, just outside of Red Bone. When he decides to move to the town he has the opportunity to acquaint himself with the Red Bone locals. He meets Natty and her son “Pie Man,” his first friend. Natty is a runner like him and coach of “The Bones,” an under-14 soccer team. His next door neighbor is Pullman (Hank) Hankinson, a retired teacher and the man who plays cribbage with him. Hank also educates Charlie in the ways of Corporate America and how it has effected West Virginia. “The big companies come here, they make a deal in Charleston, and they take the coal, the timber and the gas, and they get rich. And the people get poorer and the land gets tore up, and the water gets fouled, and it’s OK, ’cause there ain’t hardly anybody left in the coal counties, and besides, they’re all just old and poor and uneducated and don’t matter to no one.”

Charlie finds himself happier and, oddly, more at home here than he is back in New York. His decision to leave the Bluefield condo for the tiny apartment in Red Bone impacts many lives, including his own.

This is a novel of the turmoil Big Business can bring as various elements opposed to Burden and his mentor, senior partner Lucien Mackey, try to take over the firm. It is a novel of political corruption and powerful Charleston law firms run by bogus “good ole boys” who know how to make things happen – like obtaining a permit for a mountaintop removal coal mine to fuel the new electrical plant and buying farms of local residents who are in the way of “progress.” And it is a novel of poor but resilient people, good people, whose lives can be shattered in an instant if Big Business has its way.

I am fascinated by the historical aspects of Redemption Mountain. The sad story of the Appalachian miners, their families, the environment, dirty politicians and Big Business is, unfortunately, a black mark on our country’s past and present.

Apart from the seriousness of greed and Corporate America in this poorest of regions in the United States, Redemption Mountain has its moments of humor and humanity. The characters, who make their homes in Red Bone, are extremely likable, just as the characters from Corporate America are detestable. This simplicity in character development is a weakness in the novel. There are the “good guys,” and the “bad guys,” with few shades of gray. The storyline is somewhat predictable…although there are a few big surprises….surprises which make the novel more complex and interesting.

Overall, I enjoyed Redemption Mountain and find it to be a good and interesting read. I learned a lot about coal mining, Strip Mining, and how destructive it can be to the land and the people who dwell there.

AMAZON READER RATING:	from 41 readers
PUBLISHER:	Henry Holt and Co.; First Edition edition (June 25, 2013)
REVIEWER:	Jana L. Perskie
AVAILABLE AS A KINDLE BOOK?	YES! Start Reading Now!
AUTHOR WEBSITE:	Gerry FitzGerald
EXTRAS:	Reading Guide and Excerpt
MORE ON MOSTLYFICTION:	Read our review of: LONG MAN by Amy Greene

Bibliography:

• Redemption Mountain (June 2013)

“I guess you’re wondering why I’m telling you this.”

I shook my head. I knew why, even then, young as I was and afraid of her. I knew she was telling me because she had to tell me, showing me because she had to show someone. This room was her work as much as it was Alena’s. Alena might have made the room, but Agnes had conserved it—exhaustively, painstakingly—with all the care, patience, attention, exertion at her disposal. It was a task literally without end. Did the room exist if no one saw it? And if it didn’t exist, did Agnes?

Book Review:

Review by Bonnie Brody  (MAR 6, 2014)

Alena is a novel about the art world and the people who inhabit it. It is said to be an homage to du Maurier’s Rebecca. However, not having read Rebecca in no way took anything away from my love of this novel. This novel stands on its own and I loved it.

The novel gets its name from the first curator of The Nauk, a private museum on the Cape in Massachusetts. For fifteen years, Alena held this position and gained a reputation of being bigger than life. She was headstrong, other-worldly, manipulative, dark, flirtatious, and intently involved in conceptual art, especially art that related to the human body. As time progressed her tastes became darker, leaning more and more towards the bloody, death-glorifying, and often gross renderings of the physical. As the novel opens, Alena has disappeared. She has been gone for two years and is presumed dead though her body has never been found. The prevailing belief is that she drowned by taking a swim in the ocean when the currents were too strong for her.

Bernard Augustin, Chair of the Board of the Nauk, goes to the Venice Biennale as he does every year. He is a well-known collector and figure in the art world. In Venice he hobnobs with the top tier art dealers, gallery owners and collectors. It is in Venice that he meets a young female curator from the midwest who is there with her controlling boss on her first visit abroad. (Interestingly, the name of this young curator is never provided in the book.) She meets Bernard by chance and is in awe of him and a bit in love as well despite the fact that he is gay. They hit it off intellectually and emotionally and on an impulse, Bernard offers her the position of curator at The Nauk. She accepts, not actually knowing what she is getting in to.

Once at the museum, the young curator is met with a staff that is still loyal to Alena and resentful of someone taking her place. Alena had promised the next show to a conceptual artist, a Gulf War veteran and multiple amputee who displays scenes of war with body parts and lots of blood. She, however, wants to decide on her own what the next show will be and she offers it to a ceramic artist who makes porcelain butterflies. The Nauk hasn’t had a show in two years and Bernard tells her that the show must be up in two months, by Labor Day. There is a lot of angst between the employees and the curator, and between the curator and the ceramist.

The ambiance of the novel is gothic and eerie. There are a lot of strange characters and happenings that serve to upset and off put the curator each time she attempts to accomplish something. Bernard is not there most of the time to ease the way in for her as he travels to his homes in New York, Colorado and Europe or else he’s attending art-related business far away.

The information about art is comprehensive. The author, Rachel Pastan, knows her conceptual art very well and her knowledge of art history is impressive. This book hooked me right away and I could not put it down. I resented anything that got in the way of my reading it; it was that good. So I present to you this review from a reader who has not read Rebecca but loves this novel as it stands on its own with no history or homage to any other piece of literature but solely to art.

AMAZON READER RATING:	from 26 readers
PUBLISHER:	Riverhead Hardcover (January 23, 2014)
REVIEWER:	Bonnie Brody
AVAILABLE AS A KINDLE BOOK?	YES! Start Reading Now!
AUTHOR WEBSITE:	Rachel Pastan
EXTRAS:	Excerpt and another Excerpt
MORE ON MOSTLYFICTION:	Another to try: The Flamethrowers by Rachel Kushner

Bibliography:

• This Side of Married (2004)
• Lady of the Snakes (2008)
• Alena (January 2014)

“It is natural law that all complex systems move from a state of order to disorder. Stars decay, mountains erode, ice melts. People get off no easier. We get old or injured and inevitably slide right back into the elements we were first made from. The organized masterpiece of conception, birth, and maturation is really only two steps forward before three steps back, at least in the physical world. Sometimes when Charlotte lost a patient she thought about that and found it comforting—a reminder that she hadn’t failed in what was ultimately an unwinnable game. But if she thought about it too long, she had to wonder if her entire medical career was an interminable battle against the will of the universe.”

Book Review:

Review by Jana L. Perskie (MAR 3, 2014)

Gemini is an intensely absorbing novel which I found difficult to put down. It is a very human tale which delves deeply into subjects like love in its many shapes and forms, and time – too little time, not enough time, counting time, too late. The author, Carol Cassella, uses time to move her storyline back and forth in years, seamlessly weaving together the characters and the events which impact them.

The novel is narrated by two characters in alternating chapters: Raney, (Renee Lee Remington), an adolescent when the story begins, unfolds her life over the years. She is an illegitimate child, abandoned by her mother and birth father. Raney lives with her extremely eccentric grandfather, who adores her, in the small town of Quentin, WA, near Olympic National Park. He goes so far as to build an underground bunker, fully supplied for TEOTWAWKI, (“The End Of The World As We Know It).” Raney shows artistic promise at an early age and paints on plywood with house paint because she cannot afford canvas and oils. This girl/woman tells of her teenage friendship with Bo, a rich, awkward and shy boy from Seattle who is visiting his aunt for the summer while his parents are off somewhere getting a divorce.

Dr. Charlotte Reese, is a physician who specializes in the care and treatment of patients in intensive care at Beacon Hospital near Puget Sound, WA. She is a committed doctor, who cares deeply about her patients. Charlotte is in a long term relationship with Eric Bryson, a science journalist, who loves her but has a hard time committing to marriage and, eventually, to having children.

There is an important 3rd character here, one without a voice. Jane Doe.

Charlotte is on duty when a horribly injured woman is admitted to the hospital. It is 3:00 A.M. when the woman, whisked in a medivac helicopter to Beacon’s intensive care unit, is given into Charlotte’s care. As the patient has no identification on her she is tagged with the moniker of Jane Doe, until someone comes to claim her and provide the necessary background information. On arrival she has “no fewer than five tubes: one down her throat, another in her neck, two in her left arm, and one looping from her bladder. She arrives with a splint on her right arm, a scaffold of hardware stabilizing her lower right leg, and so much edema that her skin is pocked with the medics handprints.” She is the apparent victim of a hit and run. Her body was discovered by a truck driver who found her in a ditch beside the highway. He immediately called 911.

In the beginning Charlotte’s only goal is to keep her patient alive. Charlotte becomes deeply involved in solving the mystery of “Jane’s” identity and in locating her family. But as days and weeks pass, Jane Doe remains in a medically induced coma to allow her brain to heal while her body tries to heal itself also. Because her coma is medically induced it is impossible to test for brain death as it would involve removing her life support. So, the test would, in fact, kill her.

“Earlier Charlotte had had a conversation with her boyfriend, Eric, who’d more than once watched her throw the weight of modern medicine along with her single-minded will against all natural forces to keep a patient alive, only to lose in the end. Eric had challenged her on it that day. ‘Should quantity of life always trump quality? Maybe you set your goals too high.’ ‘”

When no one comes forward to give information about Jane Doe, an ethical and medical dilemma occurs. Ought “the plug be pulled.” Jane is assigned a professional guardian ad litem – someone to act on her behalf as her next of kin.

Gemini is set in a time of incredible medical technology, (late 1980s), when bodies can be kept breathing even when other physical functions are shutting down. New research in DNA testing and genetics began to emerge in 1985. Researchers did not understand until then exactly how traits were passed to the next generation. Genetics plays an important role here.

Gemini is filled with mysteries, so much so that I was kept guessing until the end…which is not predictable, at least not to me. There are family secrets, medical mysteries, and ethical dilemmas. The author carefully ties the characters and various storylines together and the complicated puzzle that involves the lives of Jane Doe and Charlotte Reese is originally resolved.

The title “Gemini” refers to the heavenly constellation of the same name. The star configuration is related to a Greek myth about the twin brothers Castor and Pollux. Both were mothered by Leda, but they had different fathers: In one night, Leda was made pregnant both by Jupiter in the form of a swan and by her husband, the king Tyndarus of Sparta. The most common explanation for their presence in the heavens is that Pollux was overcome with sorrow when his mortal brother died, and begged Jupiter to allow him to share his immortality. Jupiter, acknowledging the heroism of both brothers, consented and reunited the pair in the heavens.

I found this book to be one of the best I have read in years. The narrative just flows. I identified with the characters and the complexities of their relationships. I wouldn’t recommend it as a light beach read, however. Although not necessarily a “downer,” I found myself feeling terribly sad and thoughtful at times. But Gemini is about real life, and real life isn’t always an “upper.”

AMAZON READER RATING:	from 65 readers
PUBLISHER:	Simon & Schuster (March 4, 2014)
REVIEWER:	Jana L. Perskie
AVAILABLE AS A KINDLE BOOK?	YES! Start Reading Now!
AUTHOR WEBSITE:	Carol Cassella
EXTRAS:	Reading Guide and Excerpt
MORE ON MOSTLYFICTION:	Read our review of: Healer Oxygen

Bibliography:

• Oxygen (2008)
• Healer (2010)
• Gemini (March 2014)

“Everyone has a Cordova story, whether they like it or not.

Maybe your next-door neighbor found one of his movies in an old box in her attic and never entered a dark room alone again.  Or, your boyfriend bragged he’d discovered a contraband copy of At Night All Birds Are Black on the Internet and after watching, refused to speak of it, as if it were a horrific ordeal he’d barely survived.  

Whatever your opinion of Cordova, however obsessed with his work or indifferent—-he’s there to react against.  He’s a crevice, a black hole, an unspecified danger, a relentless outbreak of the unknown in our overexposed world.  He’s underground, looming unseen in the corners of the dark.  He’s down under the railway bridge in the river with all the missing evidence, and the answers that will never see the light of day. 

He’s a myth, a monster, and a mortal man.”

Book Review:

Review by Betsey Van Horn  (JAN 11, 2014)

This psychological, genre-bursting/ busting literary thriller took me on a high-speed chase into a Byzantine rabbit hole into the quirkiest, eeriest, darkest parts of the soul. Investigative reporter Scott McGrath is on a quest to exhume the facts of a young piano prodigy’s tragic end. Ashley Cordova, 24, daughter of cult-horror film director, Stanislav Cordova, was found dead–allegedly a suicide. The now reclusive director (30 years isolated from known whereabouts) is the reason for McGrath’s ruined reputation five years ago, and Scott is hungry to turn things around, upside down, and inside out to pursue Cordova again and save himself. And to disinter the “truth,” which itself can be an illusory concept in this cat and mouse thriller.

Along the way, McGrath assembles a motley group of two with their own agendas for chasing after the true story of Ashley’s death. It’s almost unbelievable that Scott would let these potential loose cannons join up with him, a virtual loner, but Pessl gives it cred by keeping the reader in an ever-tunneling and tumbling maze of intellectual, emotional, and horror-filled murk. Whatever mental notes you take as the narrative builds, the ever-widening cast and real, random, red herring, or suspect clues keep you from perseverating too long on the questionable partnerships. Each untangled knot corkscrews around to create ropier more entangled ones.

Mind games and magic, or mind games vs magic, is explored in a way that transports you to the most subterranean reaches of the human psyche. Pessl’s penetrating use of symbolism, allegory, literary allusion, and metaphor saturates the story with a weighty unease and anxiety that reflect her incomparable understanding of the human condition–(not to mention a rarefied channeling of hallucinogenic experiences). In Night Film, mind over matter is a daring question with a dangerous reckoning.

Pessl is obviously familiar with Hitchcock’s work, as well as the films of David Lynch and Stanley Kubrik. Additionally, the iconic 40’s noir films infuse Night Film with oblique shadows and moral ambiguity and imbue it with mixed media from the Internet age. Throw in a little Stephen King to the mix, too. However, Pessl’s use of pastiche is brushed and buffed into her own variegated style, with a voice that is strikingly poetic. She winks at and pays homage more than she mimics.

The gritty and shadowy streets, railway tracks, bridges, and warehouses of New York; the dark silhouette of the Adirondacks against a night sky; mansions sitting like a pit bull on a bluff; the mist obscuring the hand or a face or the gnarled limb of a tree–all Pessl’s ethereal images suffuse the story with an almost sepulchral ambiance. There were times I jumped while reading, certain I heard a cup rattling on a shelf, or saw a light flickering behind a curtain. At other times, my heart melted, especially when Scott would successfully enlist his five-year-old daughter to help his investigation. She was uncannily guileless but aware and persuasive.

The overriding theme can be found in the first lines of the book, a quote from Stanislav Cordova that begins the prologue:

“Mortal fear is as crucial a thing to our lives as love. It cuts to the core of our being and shows us what we are. Will you step back and cover your eyes? Or will you have the strength to walk to the precipice and look out?”

What happens when we break through our cocoon and walk to the edge and back? Are we blinding ourselves to our true nature, and to the nature of others, when we attempt to hold desperately onto those we love?

“Life was a freight train barreling toward just one stop, our loved ones streaking past our windows in blurs of color and light. There was no holding on to any of it, and no slowing down.”

This is at turns comical, disturbing, terrifying, tragic, tender, and spiritually poetic. The pace is breakneck and pitch-perfect electric, despite its florid and exuberant sentences, and the prose is evocative, aphoristic, savvy. It’s relentless and addictive, no time to catch your breath before you are falling through another black hole.

If you prefer a straight-up horror or crime-solving genre, this may not please you. Pessl breaks the rules and the mold, and the narrative is as much philosophy and metaphysics as it is mystery and mysticism. I was chasing shadows and rainbows in equal measure.

AMAZON READER RATING:	from 562 readers
PUBLISHER:	Random House (August 20, 2013)
REVIEWER:	Betsey Van Horn
AVAILABLE AS A KINDLE BOOK?	YES! Start Reading Now!
AUTHOR WEBSITE:	Marisha Pessl
EXTRAS:	Reading Guide and Excerpt
MORE ON MOSTLYFICTION:	Read our review of: Special Topics in Calamity Physics

Bibliography:

• Special Topics in Calamity Physics (2006)
• Night Film (August 2013)

“He wanted a new case. He needed a new case. He needed to see the look on the killer’s face when he knocked on the door and showed his badge, the embodiment of unexpected justice come calling after so many years.”

Book Review:

Review by Eleanor Bukowsky  (DEC 17, 2011)

Harry Bosch is the real deal. Michael Connelly’s The Drop is another superb entry in this outstanding series about an L. A. cop who is cynical and battle-weary, yet still committed to doing his job. Harry has had his share of troubles over the years, but now that Maddie, his fifteen-year old daughter, is living with him, he has cleaned up his act. He no longer smokes and avoids overindulging in alcohol. Harry is determined to be there for his little girl as she grows into adulthood. Maddie, who is smart and observant, has announced that she plans to follow in her father’s footsteps. She already has the makings of a good detective; she notices small but significant details, handles a firearm like a pro, and can spot a liar by looking for “tells.” The scenes between Bosch and his precocious teenager sparkle with warmth, humor, and love.

Harry knows that his days working for the LAPD are numbered. He has already “unretired” once, but in order to stay on the job, he will need a special dispensation under a program called DROP (Deferred Retirement Option Plan). Meanwhile, he is working on two investigations. As a member of the Open-Unsolved Unit, he is assigned to a cold case that involves the abduction, rape, and strangulation of nineteen-year-old Lily Price. New DNA evidence has come to light, but the data that it reveals raises more questions than it answers. The chief of police also orders Harry to look into the apparent suicide of forty-six year old George Irving, the son of a former ex-cop turned councilman, Irvin Irving. The outspoken and arrogant councilman loathes Bosch, but respects his ability to ferret out the truth.

The author’s crisp writing, use of jargon (“high jingo” means that higher ups are involved, so watch your step), and colorful depiction of police procedure imbue The Drop with energy, immediacy, and realism. The reader observes Harry making some tough decisions. Should he pull in a possible perp for questioning or first try to gather more evidence? Should he surreptitiously search a suspect’s home before obtaining a search warrant? How should Bosch deal with the brass, the media, and his skittish partner, David Chu? When a new woman enters his life, Harry is attracted to her, but is the relationship worth pursuing

Connelly juggles his plot brilliantly while he keeps us guessing about the outcome. Although Bosch can be brusque, tactless, and dismissive, he is willing to put his reputation on the line and is unafraid to make powerful enemies in his obsessive pursuit of justice. At times, Harry worries that he is starting to lose his edge. He needn’t be concerned, since he still has the expertise to read a crime scene, interview witnesses, and follow all of the clues to their logical conclusion. Even the way that Bosch assembles his “murder books” testifies to his tireless dedication to catching predators. If Harry’s performance in The Drop is any indication, he still has what it takes to put the bad guys away.

AMAZON READER RATING:	from 1,290 readers
PUBLISHER:	Little, Brown and Company; First Edition edition (November 28, 2011)
REVIEWER:	Eleanor Bukowsky
AVAILABLE AS A KINDLE BOOK?	YES! Start Reading Now!
AUTHOR WEBSITE:	Michael Connelly
EXTRAS:	Excerpt
MORE ON MOSTLYFICTION:	Harry Bosch reviews: Nine Dragons The Overlook Echo Park The Closers The Narrows Lost Light City of Bones Michael Haller: The Fifth Witness The Reversal Brass Verdict The Lincoln Lawyer Stand-alone mysteries: The Scarecrow Chasing the Dime Bloodwork

Bibliography:

LAPD Hieronymus (Harry) Bosch Series

• The Black Echo (1992)
• The Black Ice (1993)
• The Concrete Blonde (1994)
• The Last Coyote (1995)
• Trunk Music (1997)
• Angels Flight (1999)
• A Darkness More than Night (2001) *
• City of Bones (2002) /
• Lost Light (2003)
• The Narrows (2004) ***
• The Closers (2005)
• Echo Park (2006)
• The Overlook (2007)
• Nine Dragons (2009) ****
• The Drop (2011)
• The Black Box (2012)

Mickey Haller:

• The Lincoln Lawyer (2005) /
• The Brass Verdict (2008) **
• The Reversal (2010) **
• The Fifth Witness (2011)
• The Gods of Guilt (October 2013)

Other:

• The Poet (1996) ***
• Blood Work (1998) *
• Void Moon (2000)
• Chasing the Dime (2002)
• The Scarecrow (2009)

* Terry McCaleb is in these novels
** Harry Bosch is in these novels
*** The Poet is in these novels.
****Mickey Haller is in this novel

Nonfiction:

• Crime Beat: A Decade of Covering Cops and Killers (2006)

Movies from Books:

• Blood Work (2002)
• The Lincoln Lawyer (2011)

“Who is more of an outlaw than a saint?”

Book Review:

Review by Betsey Van Horn (NOV 30, 2011)

Like its predecessor, The Hummingbird’s Daughter, Urrea’s sequel, Queen of America is a panoramic, picaresque, sprawling, sweeping novel that dazzles us with epic destiny, perilous twists, and high romance, set primarily in Industrial era America (and six years in the author’s undertaking). Based on Urrea’s real ancestry, this historical fiction combines family folklore with magical realism and Western adventure at the turn of the twentieth century.

It starts where the first book left off, and can be read as a stand-alone, according to the marketing and product description. However, I stoutly recommend that readers read The Hummingbird’s Daughter first. The two stories are part of a heroic saga; you shouldn’t cut off the head to apprehend the tale. You cannot capture the incipient magic and allure of Teresita without her roots in the first (and better) book. Urrea spent twenty years researching his family history, border unrest, guerrilla violence in the post-Civil War southwest, and revolution, so poignantly rendered in his first masterpiece.

At the center of both stories is the enigmatic and beautiful heroine, Teresita Urrea, named the Saint of Cabora by her legion of followers, when at sixteen, she was sexually assaulted, died, and subsequently rose from her coffin at her wake. She was denounced as a heretic by the Catholic Church but declared a saint by her devotees. An accomplished horsewoman and botanical shaman, she discovered the miracle of healing with her hands. Vanquishing pain and suffering with touch, Teresita has embodied her role with dignity, and sometimes despair, as she sacrifices her personal desires in order to combat social injustice and conquer disease.

Solitude is impossible, as she is followed by humble pilgrims and pursued by the Mexican government, greedy henchmen and dangerous lackeys. In the sequel, Teresita continues her journey and evolvement, with the primary question and theme of her life– whether a saint can find her life’s purpose and also fall in love. Along the way, she is entangled in conflicts between celebrity and simplicity, material wealth and spiritual wellbeing. Although she is idolized as a saint, she is, alas, human, with human emotions—such as lust, love, sorrow, pain, temptation. She makes mistakes, and is periodically confused and conflicted. It’s hard to be a saint when you’re made of flesh and blood and hormones.

After the Tomochic rebellion in Mexico in 1891, Teresita Urrea flees to the United States with her aging but ripe swashbuckler father, Tomas, known as Sky Catcher. She experiences romantic and cataclysmic love with an Indian mystic and warrior, eventually causing a serious breach with her father. When events spiral out of control, Teresita’s journey takes her further and further from her homeland.

From Tucson, to El Paso, St. Louis, San Francisco, New York, and places everywhere in-between, this sequel is a journey from poverty and pestilence to an unknown, glittering, bustling, and modern America, a place that offers new opportunities for immigrant Teresita—-prosperity, new romance, and celebrity. She is hunted by assassins, who claim she is the spiritual leader of the Mexican Revolution; harassed by profiteers, who want to arrange a consortium to exploit her healing abilities; and haunted daily by pilgrims everywhere, begging her to cure their ills.

Dickensian in scope, this ribald novel is peopled by the humble and the haughty, the meek and the mighty—pilgrims, prostitutes, yeoman, warriors, cowboys, vaqueros, royalty, revolutionaries, financial exploiters, gamblers, tycoons, corrupt politicians, drunks, rogues, and outlaws. It’s gritty, bawdy, tender, and tumultuous, and sometimes turgid, as it meanders down several long and winding paths. When it stalls at intervals, patience and the love of prose and colorful character will keep the reader fastened. This will appeal to fans of high adventure, mixed with folktale wisdom and mystical fantasy. Big, vast skies and rough and tumble travel, this is an unforgettable story of love, purpose, and redemption.

AMAZON READER RATING:	from 4 readers
PUBLISHER:	Little, Brown and Company; Import edition (November 28, 2011)
REVIEWER:	Betsey Van Horn
AVAILABLE AS A KINDLE BOOK?	YES! Start Reading Now!
AUTHOR WEBSITE:	Luis Alberto Urrea
EXTRAS:	Excerpt
MORE ON MOSTLYFICTION:	Read our review of: The Devil’s Highway Six Kinds of Sky: A Collection of Short Fiction

Bibliography:

• In Search of Snow (1994)
• Wandering Time: Western Notebooks (1999)
• Six Kinds of Sky: A Collection of Short Fiction (2002)
• The Hummingbird’s Daughter (2005)
• Mr Mendoza’s Paintbrush (2009)
• Into the Beautiful North (2009)
• Queen of America (December 2011)

The Border Trilogy Memoirs:

• Across the Wire: Life and Hard Times on the Mexican Border (1993)
• By the Lake of Sleeping Children: The Secret Life of the Mexican Border (1996)
• Nobody’s Son: Notes from an American Life (1998)

More Nonfiction:

• Wandering Time: Western Notebooks (1999)
• The Devil’s Highway: A True Story (2004)

“I am a smart guy. I recycle. Once I found a lost cat and took it to a shelter. Sometimes I make jokes. If there’s anything wrong with your car, I can tell what by listening to it. I like kids, except the ones who are rude to adults and the parents just stand there, smiling. I have a job. I own an apartment. I rarely lie. These are the qualities I keep hearing people are looking for. I can only think there must be something else, something no one mentions, because I have no friends, am estranged from my family, and haven’t dated in this decade. There is a guy in Lab Control who killed a woman with his car, and he gets invited to parties. I don’t understand that.”

Book Review:

Review by Guy Savage  (AUG 19, 2011)

Special –> interview with MAX BARRY!

Max Barry’s books take a satiric look at humans within the corporate machine. In Syrup, a marketing graduate named Scat devises a new soft drink called Fukk, only to discover that he’s the victim of corporate theft when his idea is stolen by his nefarious roommate, Sneaky Pete. Max takes a futuristic look at the corporatization of the planet in Jennifer Government, and in Company, a business school graduate finds himself unexpectedly and suspiciously promoted when he questions some of the company’s peculiar business practices.

Machine Man, an off-kilter tale of a man who accidentally loses a leg and who then discovers that the enhanced replacement is more efficient than the original, seems to be the natural progression of Max’s grimly hilarious, eccentric, yet uncannily spot-on skewering of corporate culture. The novel is the tale of shy, isolated scientist Charles Neumann who works for a large company called Better Future. Since this is a company that’s in the business of scientific research and development, security is tight:

“I swiped for the elevator and again access to Building A. We were big on swiping. You couldn’t go to a bathroom in Better Future without swiping first. There was once a woman whose card stopped working and she was trapped in a corridor for three hours. It was a busy corridor but nobody was permitted to let her out. Ushering somebody through a security door on your pass was just about the worst thing you could do at Better Future. They would fire you for that. All anyone could do was bring her snacks and fluids until security finished verifying her biometrics.”

Charles Neumann isn’t particularly thrilled with his body and considers himself weak and puny. Then he has an accident that leads to an amputation–a tragedy for some, but to Charles it’s just the beginning of an obsession to build a better body.

The amputation also marks the beginning of a social life for Charles as a number of new people enter his life. First comes an annoyingly bouncy physical therapist, and then there’s prosthetist, Lola Shanks, “with a bunch of artificial legs under each arm like a Hindu goddess.” Lola is tickled to hear that Charles doesn’t care about a “natural look,” and that he’s much more concerned about function. Charles and Lola share an obsession when it comes to the performance of bodily parts, and so Charles selects the relatively high-tech attributes of the “exegesis Archion foot on a computer-controlled adaptive knee. Multiaxis rotation, polycentric swing. … The Olympics banned it because it provided an unfair advantage over regular legs.”

But to Charles, the leg needs improvement, and since he’s a scientist, he embarks on a one way ticket to bodily perfection. In his quest, he’s aided, abetted, and funded by Better Future. Better Future dabbles in pharmacological products, non-lethal weaponry and bioengineering. Suddenly the company, represented by brisk manager Cassandra Cautery, wants to provide Charles with a lab fully staffed by eager young things ready to improve the human body. The quest to improve the body becomes the latest link in the money-making frenzy at Better Future, but are there more sinister motives afoot?

In spite of the fact the book includes self-mutilation, Machine Man is extremely funny. Max Barry successfully captures the insanity of bodily perfection, meshes it with corporate greed and takes it, with hilarious consequences, to its logical conclusion. In this age of cosmetic obsession (yes, botox specials on the lunch hour, and you can finally grow thicker, longer, lashes), organ harvesting, and robotic prosthetics–a technology heralded as “an opportunity” for the multiple limb amputees pouring out of the Iraq war–Max Barry once again writes with vision, humour, and a poignant look at the humans trapped within corporate machine.

(Syrup is currently being made into a film, Jennifer Government has been optioned by Steven Soderbergh and George Clooney, and Universal Pictures acquired screen rights to Company.)

AMAZON READER RATING:	from 81 readers
PUBLISHER:	Vintage; Original edition (August 9, 2011)
REVIEWER:	Guy Savage
AVAILABLE AS A KINDLE BOOK?	YES! Start Reading Now!
AUTHOR WEBSITE:	Max Barry
EXTRAS:	Guy Savage interview with Max BarryExcerpt Guy Savage’s additional blog comments…
MORE ON MOSTLYFICTION:	Read our review of: Company Jennifer Government

Bibliography:

• Syrup (1999)
• Jennifer Government (2003)
• Company Man (2006)
• Machine Man (2011)
• Lexicon (June 2013)

“Homeland security is a myth…. It’s a bedtime story we tell our people to make them feel safe at night. Despite all our best efforts and all our billions spent, the United States is largely indefensible.”

Book Review:

Review by Eleanor Bukowsky  (JUL 25, 2011)

As Daniel Silva’s Portrait of a Spy opens, art restorer and master spy Gabriel Allon and his wife, Chiara, are living quietly in a cottage by the sea. Silva sets the stage with a series of events that are eerily familiar: Countries all over the world are “teetering on the brink of fiscal and monetary disaster;” Europe is having difficulty absorbing “an endless tide of Muslim immigrants;” and Bin Laden is dead, but others are scrambling to take his place. Government leaders in America and on the Continent are desperate to identify and thwart the new masterminds of terror.

All of this should not be Gabriel Allon’s problem, since he is no longer an agent of Israeli intelligence. However, Gabriel happens to be in London when he learns that two suicide bombers have struck, one in Paris and the other in Copenhagen. Later, Gabriel is strolling through Covent Garden when he spots a man who arouses his suspicions. Should he alert the police or take out this individual on his own? A series of unexpected events ensue that will bring Gabriel’s brief retirement to an abrupt end. He becomes a key player in a complex plot–involving high finance, a valuable painting, and a beautiful heiress–to destroy the new Bin Laden and his bloodthirsty cohorts. Allon will clash not just with his natural enemies but also with certain American politicians and their subordinates whose short-sighted and self-serving attitudes he finds repugnant.

Portrait of a Spy is an intricate, powerful, well-researched, and engrossing tale of deception, betrayal, and self-sacrifice. The most memorable character is thirty-three year old Nadia al-Bakari, a savvy businesswoman who is highly intelligent, secretive, and one of the richest women in the world. Her late father was a known supporter of terror networks. Will she follow in his footsteps or choose a different path? Silva brings back many of Allon’s comrades, including the amusing Julian Isherwood, an aging but still sharp-tongued Ari Shamron, and art curator/CIA operative, Sarah Bancroft.

The author choreographs his story perfectly and manages an extremely large cast with consummate skill. The sharp and clever dialogue, meaningful themes (including a description of how women are demeaned and manual laborers are exploited in Saudi Arabia and Dubai), as well as the nicely staged action sequences all combine to make this one of the most entertaining espionage thrillers of the year.

AMAZON READER RATING:	from 446 readers
PUBLISHER:	Harper; First Edition edition (July 19, 2011)
REVIEWER:	Eleanor Bukowsky
AVAILABLE AS A KINDLE BOOK?	YES! Start Reading Now!
AUTHOR WEBSITE:	Daniel Silva
EXTRAS:	Excerpt
MORE ON MOSTLYFICTION:	Read our review of: The Rembrandt Affair Moscow Rules The Prince of Fire A Death in Vienna

Bibliography:

• The Unlikely Spy (1996)

Michael Osbourne series:

• The Mark of the Assassin (1998)
• The Marching Season (1999)

Gabriel Allon series:

• The Kill Artist (2000)
• The English Assassin (2002)
• The Confessor (2003)
• A Death in Vienna (2004)
• Prince of Fire (2005)
• The Messenger (2006)
• The Secret Servant (2007)
• Moscow Rules (2008)
• The Defector (2009)
• The Rembrandt Affair (2010)
• Portrait of a Spy (2011)
• The Fallen Angel (2012)
• The English Girl (July 2013)

“Fatherhood held at its heart a sweet, paradoxical masochism, the self-abnegation of one willing to die for another. Why else would he have come to this place?”

Book Review:

Review by Betsey Van Horn  (JUN 19, 2011)

The core of this exotic fusion of mainstream and literary fiction is defined by the eponymous title– displacement, exclusion, alienation, and even expulsion. The exquisite, poetic first chapter thrusts the reader immediately into a remote setting in Kathmandu 2006, where American cardiologist, Peter Scanlon and his seventeen-year-old daughter, Alex, face a guerilla death squad in the Himalayas. The reader is instantly spellbound with the story, where survival and danger coalesce in a taut, tense thriller that examines contrasts in exile: spirituality within human suffering, inner peace outside of war, and prosperity beyond pestilence.

Backtrack to 2005, and the events that shaped the current peril of the Scanlons. Peter, forced to expel his troubled daughter from proximity to her meth addict mother, removes her from the U.S. to start a new life. At his persuasion, Alex pitches a dart at an atlas to select a new home, which lands on Kathmandu, a deep valley surrounded by colossal mountains, and a politically sensitive and turbulent place marred by outlaws, massacres and instability. Peter gets a job at a volunteer health clinic, where diseases he has never seen and cries he has never heard permeate the city and pierce his cynical American heart.

Warring Maoists pervade the mountainside and threaten the life of citizens, and the lawless and nihilistic underworld controls the corrupt police and politicians. Moreover, the clinic’s acquisition of life-saving drugs depends a lot on the negotiation with these syndicate bosses of the city, specifically a savage man who runs a huge sex trafficking ring of young females, many who are sick with STD’s. Peter’s desire to save these girls threatens his MD’s license and his personal safety, and his frustration to cure the sick is challenged by the powerful epidemics that are resistant to antibiotics.

Peter and Alex live in relative comfort compared to the natives, but without heat and in extreme temperatures. Peter’s boss at the clinic has arranged for a housekeeper/cook, Sangita, a Tibetan woman whose daughter, Devi, is Alex’s age. Alex and Devi bond instantly, and Santiga’s maternal instincts are a welcome energy to the household. Mina, the nurse at the clinic who functions more like an agitating partner, vexes Peter, as well as beguiles him.
Ailments, treachery, and poverty permeate the city like the thick, grey fog and charcoal sky that hovers over the inhabitants. A feeling of dread snakes through the narrative, yet a soulful backbone of human stout-heartedness and endurance surprises the reader at each descent of gravity. Groner’s exuberant prose imbues the story with keen paradoxes and nimble dialogue that flow with sharp, pointed wit. The pace is quick, thrilling and cinematic; you will probably finish this novel in a few sturdy sittings.

The disadvantage of this hybrid genre of fiction is the tendency to inject the main characters with a staggering puissance. They wear their courage a little too easily, including the teenagers. There are also several convenient and predictable plot turns that are too facile, giving the narrative a rushed simplicity at times. Also, although Peter is out of his element, he steadily challenges pernicious criminals with a force and conniving that periodically flouts credibility.

Mina, who enters as an intriguing individual, flattens out as her contentious nature is mitigated. Sangita turns out to be a straw character, as are several other players in this drama. Buddhist practices lend a warm and exalted glow to the story, but almost tips into precious territory at intervals.

However, this is a potent story that, despite some inorganic elements, never fails to fill the reader with wonder. The magic arises from the immaculate prose and imagery, as well as luminous, cosmic turns of phrase, and the ties that bind humanity. This is a novel ripe with quotable passages, with a landscape of flourishing detail. As a story of exile, it lures and invites the reader within its foreign enclosures to a map that contours the human heart.

AMAZON READER RATING:	from 6 readers
PUBLISHER:	Spiegel & Grau (June 7, 2011)
REVIEWER:	Betsey Van Horn
AVAILABLE AS A KINDLE BOOK?	YES! Start Reading Now!
AUTHOR WEBSITE:	Cary Groner
EXTRAS:	Excerpt
MORE ON MOSTLYFICTION:	Read our review of: State of Wonder by Ann Patchett

Bibliography:

• Exiles (June 2011)